How did Finch start?
The first Finch came to me in a dream. I drew him the way I remembered him: a small yellow chick standing on bits of broken shell, with the whole egg still over his head. Next to him I wrote the idea the book would grow from: “A bird that refused to leave the egg.”

Four steps, from sketch to character
From there, I kept redrawing Finch. My design sheet shows four stages:
- Original. The chick from the dream: yellow, round, the egg covering his head.
- Conceptual. He becomes a bird, not a chick: longer legs, a speckled shell that’s cracked open at the bottom, and a feathered body.
- Standard. The shape that works on every page — a rounder body and simple lines, drawn with and without the shell.
- Dynamic. Finch in action: moving, dancing, full of personality.

Why is Finch blue?
Once the shape was ready, the color came next. I picked complementary colors, opposite each other on the color wheel. Finch, the main character, is blue. The other characters and the whole forest are oranges and yellows.
That’s why your eye always finds Finch on the page, even when he’s tiny and hiding under a tree.

Finch also has a real-life cousin: the blue finch, a small blue bird with a yellow beak that lives in Brazil and northeastern Bolivia.
The Finch in the book

See what came after in Finishing The Bird in the Egg, or watch the story Finch lives in by getting the book on Amazon.